Now, any instrument patch from across the entire EastWest library can be instantly demoed and individually downloaded. While browsing and adding local content remains largely unchanged from the old Play Engine, Opus’ new database feature is an enormous, industry-leading step forward.
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Then there’s the ability to detach the player window (great for multi-monitor setups) or the new description panel that details how to get the maximum expression from each instrument. Stand out tweaks and additions include the new quick-load setting that lets you conserve RAM by loading samples from your hard drive into memory as you play. EastWest has listened closely to its user base and come to the table with lots of crowd-pleasing improvements, including optimised performance, a streamlined workflow and some time-saving performance tools. Great as the new and updated recordings are, the Opus player is the real drawcard here. There is also a ‘2 trumpets’ patch to play with, and here EastWest seems to have seriously increased the dynamic range, letting the trumpets get up to that bright, brassy timbre that can cut right through an orchestral texture. The dynamic layers feel highly realistic, letting you easily create beautiful crescendos. The old brass section was always a strong selling point for Hollywood Orchestra, and the new ‘2 trombones’ patch is similarly excellent.
A special highlight is the addition of some extended string techniques, such as col legno battuto, labelled in the library as ‘Penderecki’ in honour of the composer who made the sound famous. The new ’18 violins’ patch has a beautiful, rich unison sound and the legato patches, in particular, feel like a considerable improvement over the previous version. In terms of new content, first up is the strings. With the Opus edition, EastWest has added over 130 GB of newly recorded content and wholly overhauled the older samples through remixing and reprogramming.
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Instead, it has just released a hefty update to its flagship library, a completely new software engine to power it, and a new orchestration tool that is sure to both divide and delight music makers. This is why it’s all the more pleasing that EastWest has resisted the urge to rest on its laurels.
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